100 photos de René Burri - Reporters sans Frontières
Célèbre photographe américain, disciple d’Eugène Smith, Stanley Greene revient ici sur sa carrière : de la photo de mode au reportage de guerre (Soudan, Rwanda, Tchétchénie, Afghanistan, Irak) en passant par des photos plus personnelles. Ses commentaires en « voix-off » nous éclairent sur sa pratique et rappellent que le professionnel et le personnel se tressent l’un à l’autre pour dessiner une approche du monde et de ses fracas, un regard sur les individus qui le peuplent.
Livrer ainsi son journal intime était un pari risqué. S’il est réussi c’est que Stanley Greene ne joue pas les héros, n’accumule pas les superlatifs sur l’horreur ou le danger, mais raconte simplement, ses doutes et ses peurs, ses interrogations sur la motivation de la violence et la notion de courage, son quotidien chaotique, l’amour et les séparations. Avec sincérité. Composé de courts récits où les images privées cohabitent avec les documents les plus durs sur la Tchétchénie ou le Rwanda, ce livre offre une passionnante introspection.
Broché : 200 pages
Editeur : Textuel
Prix : 45€ chez amazon
3 commentaires pour “ « Black Passport » – Stanley Greene ”
[...] Black Passport en dit long sur le quotidien des photographes de guerre. Une profession à part, comme le souligne Stanley Greene, prenant l’exemple de cérémonies de remise de prix, qui voient ces derniers habillés en treillis kakis, quand leurs confrères endossent des costumes. Ni donneur de leçon, ni désabusé, ni voyeur, Black Passport est le témoignage puissant, vif, d’un homme blessé. Ce passeport, qui le mène en enfer aux quatre coins du monde, ne peut être que noir. Stanley Greene vient de remporter le prix PIPAK 2011, succédant à Marc Riboud et Raymond Depardon. Le photographe est devenu une légende du photo-reportage, remportant notamment deux World Press. Jane Evelyn Atwood – « Rue des Lombards » Le travail de Jane Evelyn Atwood est celui d’une femme engagée, révoltée par l’injustice, notamment celle qui, partout, accable les femmes. Elle sort cette année un livre, Rue des Lombards, un voyage en noir et blanc dans le quartier de Pigalle où elle est partie à la rencontre de prostituées. Rue des Lombards, Edition Xavier Barral Titouan Lamazou – « Ténèbres au paradis. Africaines des grands Lacs » Nommé « Artiste de l’UNESCO pour la Paix » en 2003, il a réalisé de nombreux portraits de femmes entre 2001 et 2007 pour son projet Zoé-Zoé, Femmes du Monde. Depuis, il s’engage activement auprès d’associations caritatives pour la défense des droits des femmes et des enfants dans le monde. Titouan Lamazou se rend en République Démocratique du Congo et rapporte, dans ce livre, d’émouvants portraits de femmes, victimes ou activistes. Il s’adjoindra la collaboration de spécialistes universitaires et humanitaires, ou écrivains congolais, belges et français, avec des textes simples et accessibles qui viendront faire écho aux témoignages des femmes dont il aura choisi de faire le portrait. [...]
[...] Mots clés afghanistan afrique capa cartier-bresson chauvel cinema conflits congo crise désert ethiopie eugene smith femmes festival guerre himalaya johann soussi liban life magnum mccurry MEP misere mongolie métro nepal noir et blanc paris paris match perpignan peuple raymond depardon Reza rock rsf salvador Stanley Greene tchetchenie terre tibet time vietnam visa vu world press photo Actualité (13) Afghanistan (12) Chris Jordan (1) Christian Poveda (2) David Burnett (1) De vous à moi (1) Dennis Stock (1) Don Mc Cullin (1) Dorothea Lange (1) Elliot Erwitt (2) Ethan Levitas (1) Expositions (50) Gamma (2) Hans Silvester (2) Henri Cartier-Bresson (2) Iraq (2) James Nachtwey (2) Johann Soussi (3) Jürgen Schadeberg (1) Larry Burrows (1) Le métier (6) Lisette Model (1) Livres (25) Luca Gonzaga (1) Lynsey Addario (1) Magnum (4) Nick Brandt (1) Olivier Föllmi (2) Patrick Chauvel (3) Prix (9) Raymond Depardon (1) Reportages (7) Reporters (8) Reza (3) Robert Capa (1) Robert Doisneau (1) Sipa (1) Stanley Greene (3) Stephen Dupont (2) Steve McCurry (6) Sygma (1) Talentueuse agence (4) Une photo, une histoire (9) Wiedenhöfer kai (1) Willy Ronis (1) Yann Arthus Bertrand (1) WP Cumulus Flash tag cloud by Roy Tanck and Luke Morton requires Flash Player 9 or better.var widget_so1884815 = new SWFObject("http://arretsurlemonde.com/wp-content/plugins/wp-cumulus/tagcloud.swf?r=9335655", "tagcloudflash", "180", "180", "9", "#ffffff");widget_so1884815.addParam("wmode", "transparent");widget_so1884815.addParam("allowScriptAccess", "always");widget_so1884815.addVariable("tcolor", "0x1D8500");widget_so1884815.addVariable("tcolor2", "0x1D8500");widget_so1884815.addVariable("hicolor", "0×000000");widget_so1884815.addVariable("tspeed", "100");widget_so1884815.addVariable("distr", "true");widget_so1884815.addVariable("mode", "both");widget_so1884815.addVariable("tagcloud", 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Eugene Richards Publié le 5th octobre 2009 Mots-clefs :Eugene Richards, guerre, life, magnum, War is personal Category: Iraq,Reporters Qu’il soit adulé par certains, détesté par d’autres, Eugene Richards n’en est pas moins un photojournaliste américain réputé qui a le courage et la volonté de montrer le monde tel qu’il est avec ses bons et ses mauvais cotés. Mais surtout ses mauvais cotés, il faut dire car Eugene Richards se focalise sur des sujets tels que la guerre, la pauvreté, la drogue, les urgences dans les hôpitaux, les enfants atteints du sida, la vieillesse, la misère en Afrique… et dernièrement la guerre en Iraq via le traumastisme de soldats américains de retour chez eux dans son livre « War is personal« . [...]
« [...] S’il est réussi c’est que Stanley Greene ne joue pas les héros, n’accumule pas les superlatifs sur l’horreur ou le danger, mais raconte simplement [...] »
En ces temps où, quelques semaines auparavant (mais l’actualité moderne cultivant habilement l’Halzeimer de la société, on l’a déjà sûrement tous oublié), l’armada journalistique américano-CNNienne réécrit l’histoire en direct en mettant en scène (à faire pâlir Jerry Bruckheimer) ses journalistes dans des opérations de sauvetage, c’est effectivement une très bonne chose que des « professionnels simples » (et non des « simples professionnels », nuance) contribuent à remettre les pendules à l’heure…et le journalisme à sa place.